Sketchbook Exchange - Drawings #6 and #7 and my own book back!

It has been a busy time! I last posted in March and we are now to mid-July! In those four months, I  have completed the final two drawings for the sketchbook exchange project that I have been a part of for the past year.

I also moved houses and went on vacation, so I was thrilled, upon my return, to find my own sketchbook back from its last stop in Singapore, filled with amazing artwork from around the world!

Here is a peek at some pictures of the gorgeous pieces that fill my sketchbook from seven amazing artists. From left to right (starting in the top left corner): Linda Trella, Giulia Canevari, Elaine Moore Mackey, Beryl Prout (two pages), Mischa (two pages), Sevil Medhi, and Teo Nam Siang.

Previous to getting my own book back, I finished up drawings for Giulia's and Linda's books.

For Guilia's, I did some ink and colored pencil drawings of the beautiful chive blossoms that were popping up in my old garden. I also found some neat seed hyacinth seed pods to round out the other page (graphite, ink and ink/colored pencil.) I was anxious to get this mailed out before our move and was glad to get it finished.

Linda's book was carefully packed in my bag so I wouldn't lose it. Once we were settled in a bit at the new place, I was able to do some drawings of iris buds that I had from my old garden and then found the perfect finishing touch at the new place once my hostas started blooming. I used ink and colored pencil on the hostas, colored pencil alone on the one iris bud and graphite alone on the other iris bud. Happily, I was able to mail this out to Linda before vacation.

A modified group of us (depending on availability, etc.) plan to continue the exchange for a second round starting in August, so stay tuned!

Artwork for Land Conservation - a new project!

I am excited to be one of approximately 40 artists chosen to participate in the "Legacy of the Land Through Art" mixed-media art exhibit to be on display later this year. 

The exhibit is being hosted by Legacy Land Conservancy, in association with the University of Michigan, Matthaei Botanical Gardens, and the Nichols Arboretum. The first exhibit will be at Matthaei Botanical Gardens this fall and a second exhibit will be at Sandhill Crane Vineyards in the spring of 2014. Fostering recognition of the connection between land and people is a key component of Legacy’s mission, so this exhibit is one way to bring this connection to the public.

Each participating artist is given a land assignment in Washtenaw or Jackson counties to explore. Some are assigned to a preserve managed by Legacy Land Conservancy, while others are assigned to private properties of interest in those two southeastern Michigan counties. The artist is to experience the land directly and create 1 to 3 pieces of art inspired by their interaction. 

I have been assigned to Creekshead Nature Preserve, a 27 acre mature beech-maple-basswood forest with spectacular spring wildflower blooms. I have made about 4 or 5 trips out to Creekshead this spring. Ironically, due to a scheduling problem of my own right at the peak, I missed the height of the spring wildflower blooms. Yikes! I nearly panicked, but in my trips to the preserve, I did manage to see and identify a number of species of wildflowers, including:

• spring beauty
• jack-in-the-pulpit
• large white trillium
• nodding trillium
• baneberry
• cut-leaved toothwort
• bloodroot
• mayapple
• trout lily 
• wild geranium

My trips out were sometimes brief and other times with my husband and young kids, so I only did a few field sketches. I took nearly 250 reference photos, though, and am currently working on more detailed studies from my photos. Some of these preliminary studies are below:

Jack-in-the-pulpit field sketches and notes.

Jack-in-the-pulpit study in graphite. This was done in my sketchbook which is Stonehenge paper, so it has a slightly rough texture.

This is a study of wild geranium that I just started. It's in graphite (apologies for the quick photo, rather than a scan). The lower right corner has a small color study (ink and colored pencil) of the flower buds. This was done on Fabriano Artistico Extra White Hot Press watercolor paper. It takes layers of pencil well and also has a nice, smooth texture for blending.



 






This is a graphite study of a mayapple blossom done in my Stonehenge sketchbook.

And here is an experiment on tan, toned paper. This is a white trillium (Trillium grandiflorium) study. I used graphite and then layered some colored pencil on top. The paper did not take the layers of pencil well, so I only did a partial study. Still, interesting to get a feel for the subject.









I am looking forward to doing additional studies and then deciding on what my final pieces will contain. I found it very intriguing to be in the preserve past-peak, wondering what the different plants were without an identifying blossom attached, so I am considering doing a piece of just leaves from different plants.  

What do you think might make a compelling piece? What would you be curious to see in an exhibit like this?

I will keep posting with my progress as I continue drawing and making composition decisions. I do also post updated sketches on my Facebook page and Flickr account, so feel free to check those more frequently. 

Pierce Cedar Creek Institute Retreat 2013! Afternoon of hiking and sketching...

If you have been following along, you know that I had the opportunity to spend a wonderful day at Pierce Cedar Creek Institute yesterday at an art retreat. I, along with about 8 other nature artists, spent time together catching up and creating some new artwork. We had a fantastic introductory class in etching with PCCI's first artist-in-residence, Doet Boersma. Read about it in my previous post.

After our etching class and a tasty lunch, we all spent the afternoon hiking the many trails at PCCI, sketching and painting whatever caught our attention. After such a long winter, it was a pleasure to have temperatures in the 60s and lots of sun! The woods are just starting to bud and spring plants are beginning to bloom.

I decided to hike one of the easier trails so I had plenty of time for drawing as I spotted wildflowers or other interesting subjects.

Three of us headed down toward the boardwalk behind the visitor's center, passing many,  pretty little spring beauties (Claytonia virginica) along the trail. These delicate, pink-striped flowers are among the first to pop up through the leaf litter each spring.

 


As we headed onto the boardwalk, I spotted a few blooming marsh marigolds (Caltha palustris). I missed the chance to sketch them last time I was here, so I set my gear down and decided to do a little drawing.

 

















Marsh marigold sketches are in graphite at the top of the page. Another plant that we saw everywhere was skunk cabbage (Symplocarpus foetidus). They have some really interesting shapes and colors, so I had to stop and capture those, too. I ended up doing graphite and added colored pencil on top. Not the best combo, since it gets muddy and smears. But I wanted to add some color to indicate the deep maroon next to the light yellow-green in the same plant. 

In the swampy area near the rest of the skunk cabbage, I did a quick sketch of a tree with bright green moss growing by the roots. I chose to use gray toned paper for this one.

 

 Tree with skunk cabbage growing all around.

 My quick sketch on toned paper. I didn't do a great amount of detail, but really wanted to capture a bit of the moss.

 










I made my way up the blue trail to the Maple and Beech forest next. This is one of my favorite spots and one I visited before. The beech trees look so beautiful and delicate, especially the smaller ones, with their papery white leaves rustling in the breeze. 

Along this whole area, the forest floor is covered in leaf litter and other winter debris, but up throughout all of those leaves, sometimes growing right through them, are the spring wildflowers. I saw trout lily (Erythronium americanum) leaves everywhere, but only one blossom so far. My guess is that in the next week or two, that area will be bright with the curling stems and yellow blossoms. 


 





I also spotted more spring beauties and some clumps of light purple flowers that are slightly bigger than spring beauties. They also have a wonderful, hairy white stem. I believe these are hepatica. 
 

I found one with its three-lobed leaves intact and did some sketching on the same toned gray paper as the tree I did earlier. 

After I finished this study, I simply enjoyed walking the rest of the trail, looking for more flowers and listening to the birds singing. 

My last interesting find was right at the edge of the trail as it came out of the maple and beech forest into the prairie section. It was sunny on the path and I had my walking stick with me, as usual. I was studying the left side of the trail for wildflowers and heard a rustling off to my right. I stopped and saw a thick snake, about 14 inches long, with light tan and brown markings. 

It blended in perfectly with the surrounding leaf litter. It has stopped and was waiting for me to move on. Can you see it in the photo above? Its head is toward the top of the photo, right in between the sideways "V"-shaped tree branches and has two black patches on either side.

I took my camera out and captured a few photos before moving on. It flared its head out as it waited for me to leave, reminding me of a cobra. I thought it might be the elusive Massasauga rattlesnake, Michigan's only venomous snake. 

However, further research when I returned home revealed this to actually be an eastern hog-nosed snake. It is often mistaken for the Massasauga rattlesnake. Those dark head markings really clarified it for me - in any photos you see, the Massasauga has more of a striped appearance. Also, I read that the hog-nosed snake tends to flare its head when disturbed. Either way, a rare and beautiful sighting!

We finished the day by gathering in Doet's studio again to pick up our etching prints that we created earlier in the day and exchange business cards and contact information. I am so glad to have had the chance to visit PCCI and my artist friends, even if just for one day. I look forward to returning again!

Budding Botanist? And a few sketches...

It has been waaaaay too long since I have done any botanical drawing. But just this morning, I took some time to grab my pencil and some paper to do a little sketching.

I can thank my older daughter, who is 5, for this for two reasons, 1) she loves to have us pick up a bunch of flowers at the store every so often so we bought a bouquet of spray roses over the weekend, and 2) they are starting to shrivel, so she asked to take apart some petals this morning before school.

I trimmed off a few flowers and buds and my little scientist (or budding botanist?) started peeling away the petals into a pile. The resulting stem, sepals, stamen and pistils were brought into the light of day and were begging to be sketched.

I love the curve of the sepals and the sharp point they come to at the tips. Although I am out of practice (my shading ended up a bit heavier than I intended...) it felt terrific to finally get back to it.

View from underneath the stems and sepals.

View from the side of the sepals, with some beautiful curling as well as a great view of the cluster of stamens and pistils at the center of the blossom.

 

The holidays and winter colds can really put a dent in any available creative time. Have you had any projects you have been away from and returned to recently? 

A little slice of heaven...

So we are having what is probably the last warm-up in weather until spring here in Michigan. Temps are mid-70s, sun is shining and there is a beautiful breeze going through the house. With the threat of rain tomorrow and a high of 52, I wanted to take full advantage!

With my 3-year-old at home for a low-key day today, I was able to spend about 45 glorious minutes outside sketching some fall gourds while she played. Yay!! It has been f-o-r-e-v-e-r since I have had a chance to draw at all so I savored every minute of it.

I had my lawn chair, a huge pad of paper, my favorite mechanical pencil, kneaded eraser and two little gourds I bought from the grocery store a few weeks ago. They are both only about 3 inches long and wide in the body, with one having an extra long stem that stayed remarkably intact for a grocery-store gourd.

I sketched as fast as I could before I had to give up the one with the long stem for my daughter's "collection". :)

Long-stem is mostly green whereas the second one is a wonderful, bumpy-all-over bright orange with some dark green blotches. I didn't get a chance to add color, but I am sure you can imagine these since they are around pretty much everywhere at this time of year.

Even though these were fairly quick studies and not nearly complete, it felt wonderful to have a chance to actually put pencil to paper. It also felt terrific to be outside, squinting in the sun with a breeze swirling my hair as I drew!

Have you had a chance to do any autumn drawing lately? What is one of your favorite things to draw this time of year?

Cat Portrait Commission - Pen and Ink

Ahhhh...how I love pen and ink! It has been some time since I have done a pet portrait, but I recently had a commission for a beautiful, Siamese cat. 

I worked from photos like I normally do, but the cat itself was difficult to photograph because of the dark markings on the face and there was some glare on the photos. It was a bit challenging to render, but even so, I think it turned out very well.

The final drawing was approximately 10" wide by 8" high and was done with my Rapidograph 3x0 (.25) pen on smooth Bristol paper. 

The fine pen was terrific for the face, but I started to question my sanity when I began to fill in the fur on the back half of the cat, most of which was dark brown to black. It went faster than I anticipated, though, and I think the fine pen lines worked really well to captured the subtle fur patterns, rather than just filling it in as a solid black.

This is an early photo of the pencil work as I blocked in the fur markings, etc. I always make sure my pencil areas are marked in before beginning any ink. If it doesn't look right in pencil, it won't look right in ink.

I did NOT fill in the fur on the back entirely with pencil (except for the tail), but rather just marked where there were changes in the direction of the fur as a sort of map to doing the pen work.

 

The final, finished drawing.

Once I finished with the pen work, I let it dry thoroughly overnight and then took my kneaded eraser to the whole thing to remove any stray pencil marks. I think the final turned out well and hope that the owner enjoys both the cat and the drawing for many years.

Fabric Fun! More on Spoonflower...

I have been having some fun on Spoonflower again :)

I am practicing creating better repeats in my patterns and have two new ones to show you:

This one features my new autumn leaf drawing. See the other leaf designs, which are in my Trees collection!

Also, I have been playing around with my graphite drawing of Orange Star blossoms and created a 'ditsy' or scattered print:

Check out the rest of the Orange Star designs!

 

The Feather - In Progress

I took several photos of the small feather during my drawing process. As I mentioned before, this was a fairly quick drawing (spent maybe a 1/2 hour, interrupted several times by the kids!), so it definitely could have been done more carefully. I was so excited to find it that I didn't want to let the opportunity to draw it pass, so I accomplished what I could in the time I had.

My initial graphite sketch. 

This looks more delicate and perhaps I should have stayed with a graphite drawing to capture the downy aspects at the bottom of the feather.

Ink drawing.

You can see I got a little messy with the pen work on the dark spot on the left. I should have stopped further from the center shaft. I used a 3x0 (.25) Rapidograph pen (the smallest size I have) and it still looks too heavy to me.

Perhaps I should have put less lines down and just hinted at the structure more rather than trying to draw all of it in. It's a learning process!

 

 Final colored pencil drawing.

You can tell this photo was taken in natural light by the window. The feather looks much whiter at the bottom. In person, that area is more gray and the photos of the previous stages above are more accurate, I think.

I used my Faber-Castell Polychromos pencils: walnut brown for the dark spots, raw umber and burnt sienna for the lighter brown areas, layered with some warm grey V and warm grey II.

Have you ever had done any feather drawings? How do you keep the delicate nature of the drawing intact, even when using ink? I would love to hear about your experiences!

House Portrait in progress!

I am making good progress on my current project - an 10 x 8 inch pen and ink house portrait. 

This property has quite a few trees and foliage around the house itself. One of the trees is situated right in front of the front door. I always try to make sure at least part of the door is visible, so I have been working with the owner to determine how big to make the tree.

Here is a progression that you might be interested in seeing - from initial pencil drafts through several revisions of the front tree:

  Rough pencil draft placing house features, trees, etc.

 Additional details on the house and landscaping.

I sent this draft to the owner to see if the scaling-down of the front tree was acceptable.

 The owner wanted to expand the tree a bit more to reach up to the upper window, so this is the adjustment I made.

The owner approved the height of the tree, but I did some additional tweaking on the sides to fill it out a bit more.

I actually did some more revisions on the brick work as I thought it looked too heavy and uneven here. Stay tuned for the next update to see the finalized pencil draft and beginning pen work!

Red-Tailed Hawk Tail Feather - First Molt?

I had a rare find when I was out and about recently -- a beautiful feather. I looked it up and think it is a red-tailed hawk tail feather from a first molting. I was able to do a very rough sketch of it and took some photos. I hope to do a more detailed pen and ink study of it, adding color. This is graphite pencil with some colored pencil added to get a sense of the color scheme. 

I love the pattern of dark brown, tan, and creamy white and was fascinated to see all of the details up-close.

Have you ever found anything unusual in your wanderings that you were able to draw or photograph?

Vinca plant in graphite - line study

This is a graphite pencil drawing of a Vinca plant that I did for a course in botanical illustration a few years ago. I thought I had uploaded it here before, but guess I had not. The piece was supposed to be done entirely with line work (employing thick/thin lines bold/faded to indicate depth when possible) basically showing what you could do *without* shading. Very interesting exercise. I hope to someday redraw parts of this in pen and ink, and then maybe get another plant and work on some light and shade studies.

House Portrait - in progress (final pencil draft)

I think I have finalized the pencil draft of this house portrait. I added the landscaping in the front and actually had to tweak the perspective a bit as the line from the back of the house to the front flower bed was a bit off as I worked. I also finished penciling in the siding - it looks a little rough here, but when I do the final inking I will be using a straightedge for some of it to make sure it stays on track. I did some additional adjustments with the front steps, sidewalk, and also added some foliage to the side beds, working closely with the client.

I should be ready to start inking now. Stay tuned for the final artwork!

House Portrait - in progress (pencil draft)

I have been working on an 8 x 10 house portrait this week. I thought it would be interesting to post some in-progress scans so you can see how the process works. I always try to get as much detail down in pencil before I do any inking. It's much easier to correct pencil, of course, and so the longest part of the process is getting the pencil just right.

What you see above is the first pencil draft I scanned. Here I am still working on the siding and adding details in the landscaping as well as some details on the home. It is starting to come together nicely, but still needs to be finalized. 

Stop back to see an update on the pencil scan as I finalize it. Then onto the inking!

Camel in graphite

I haven't had much time lately to draw, so I thought I would post some previous work. This is a camel that I drew from a photo I took at the Amersfoort Zoo in the Netherlands. I love the expression and it was fun to render those big eyelashes!

Leaf in graphite

A simple post today - one of our maple leaves, in graphite. Lots of things are starting to dry up now that it is fall and the leaves have such interesting shapes and shadows. Have a wonderful weekend!

Gloxinia - line drawing in graphite

This is a line drawing that I did for a botanical illustration class a few years ago. The assignment was to specifically focus on the line work. This gloxinia had such wonderful, thick leaves and robust blossoms and buds. It was very fun to draw.

Portrait of two dogs in graphite

This is a commission that I recently completed of two dogs. The final drawing is about 11 X 14. I did this on hot press watercolor paper and used a mechanical pencil. I found that I worked slowly in layers of graphite, first with a rough sketch and then making sure I got the eyes and features correct before filling in the detail of the fur. I blended as I went using the pencil, rather than a blending stomp or other tool. I think that the final version looks 'rougher' to me than other graphite pet portraits I have seen, but in the end, I really like the effect and think that both dogs turned out very well.

"Sun Star" or "Orange Star" perennial - graphite drawing

This is a graphite drawing of a beautiful perennial plant that I picked up at the store the other day. It is called the "Sun Star" or "Orange Star" (Ornithogalum dubium). The flowers, though you can't tell here, are a bright orange color with some bits of dark green at the tip of the flower petals.

The tag says that it is native to South Africa and blooms from one to three months. It takes bright, indirect sunlight indoors and you have to keep the planting mix moist. Once the flower spikes are spent, you remove them from the base, rather than just the blossom. I really like the structure of this plant and how the flowers emerge from the cone-like structure in the center. Hope you enjoy!

Some curling, fall leaves

It feels like it's been forever since I have posted! It's been a busy few months as I gave birth to our second child late in August. I haven't had much time to draw, but I found this is a sketch of some curling fall leaves in an old notebook of mine. I love seeing both sides of the leaf in a sketch like this - it seems that much more 3-dimensional. Hoping to get back to some regular drawing soon!

Raspberry sprig - light and shade study

I've been working on a drawing of a raspberry plant. It's a cutting that I took from the bush in our side yard. I'm excited to be working from a live plant this time! It really does make all the difference.

I had started with a nice drawing and began inking and doing some colored pencil work, but it was looking rather flat. I realized that I needed to go back to some basics and do a light and shade study of the leaves in particular to get some depth and form back into the drawing.

So, this is the rough light and shade study on tracing paper that I will continue to tweak. I'll use this as a reference point when redoing the original drawing so that my shading/light looks correct in colored pencil. Stay tuned for more progress!