A different sort of commission for me...landscape in pen and ink

I just completed my most recent commission in pen and ink. This was a little different than my normal subjects, but still an enjoyable challenge to render. As usual, this was done with my 3X0 (.25) Rapidograph pen on smooth Bristol paper.

The scene is a special one for the recipient, so a different composition was not really an option. Because the final drawing is approximately 9X12 (fairly small), I tried to focus on using various pen and ink techniques to highlight the different textures present. I did some heavy cross-hatching on the metal railing in the foreground; squiggly line work to show the foliage behind the railing; stippling to indicate sand on the beach; and various straight, fanned-out line work to fill in the palm trees.

I think it turned out very nicely and hope the recipient enjoys it!

Have you done any challenging projects lately? How did you manage to work around any tough parts?

Cat Portrait Commission - Pen and Ink

Ahhhh...how I love pen and ink! It has been some time since I have done a pet portrait, but I recently had a commission for a beautiful, Siamese cat. 

I worked from photos like I normally do, but the cat itself was difficult to photograph because of the dark markings on the face and there was some glare on the photos. It was a bit challenging to render, but even so, I think it turned out very well.

The final drawing was approximately 10" wide by 8" high and was done with my Rapidograph 3x0 (.25) pen on smooth Bristol paper. 

The fine pen was terrific for the face, but I started to question my sanity when I began to fill in the fur on the back half of the cat, most of which was dark brown to black. It went faster than I anticipated, though, and I think the fine pen lines worked really well to captured the subtle fur patterns, rather than just filling it in as a solid black.

This is an early photo of the pencil work as I blocked in the fur markings, etc. I always make sure my pencil areas are marked in before beginning any ink. If it doesn't look right in pencil, it won't look right in ink.

I did NOT fill in the fur on the back entirely with pencil (except for the tail), but rather just marked where there were changes in the direction of the fur as a sort of map to doing the pen work.

 

The final, finished drawing.

Once I finished with the pen work, I let it dry thoroughly overnight and then took my kneaded eraser to the whole thing to remove any stray pencil marks. I think the final turned out well and hope that the owner enjoys both the cat and the drawing for many years.