Mixed media experiment - tulip study in watercolor and colored pencil

I have some gorgeous red and yellow tulips in a vase this week. One of my very favorite flowers, I have always wanted to draw them, but get intimidated by the feathery red that blends into the yellow on the petals. I tend to use colored pencil and sometimes get too heavy-handed with it. I often end up with a muddy mix, rather than a delicate layering.

Clearly, I could practice just using a lighter touch and sharper pencils! However, today I wanted to try out a little mixed media technique and lay down a watercolor wash to give me some background on top of which to add pencil.

One of my retreat friends used this technique beautifully this weekend while painting a skunk cabbage in all of its maroon and cream glory. It reminded me that although I have not done much painting with watercolor, I could definitely use it as a base for a detailed colored pencil drawing, especially when layering very light colors with darker ones.

I started out with a light graphite pencil sketch to get the shapes. I have a small Windsor & Newton travel watercolor kit and used one of my travel watercolor brushes to grab a little bit of yellow and do a light wash on the petals. I also did the same with a light wash of green on the stem and leaves.

I painted on Fabriano Artistico Extra White hot press watercolor paper. I took some quick snapshots to show the process, but apologize for the poor quality of the photos! It should give you an idea of how I worked through the study, at least.

Next, I started adding in layers of colored pencil. I use Faber-Castell Polychromos pencils. For this particular study, I used dark red for the deepest shadows in the petals and layered deep scarlet red and pale geranium lake on top for the red sections. For the yellow, I added some shadows with light yellow ochre and dark naples ochre. I kept layering, attempting to capture the subtle texture of these silky petals.
 

 


  
















I used light green, permanent green, may green, and pine green for the leaves and stem. 

As you can see below in the photo of my whole page, I did some test patches for each pencil before I used them to make sure I had the right colors. I need to do a color chart of all of my pencils to use as a reference! Those can be fun to make and good pencil practice - perhaps another blog post?

When I finished, I set the drawing aside for a few minutes and came back to it, darkening some shadows for definition and adding some highlights with my kneaded eraser. Here is the final. It's a photo (couldn't get the scan to look right) and even this doesn't quite show the darker reds as much as the actual.

Overall, I really liked using a watercolor wash as a base. I have more practicing to do, but look forward to using this technique again. 

Do you use mixed media in your work? What combinations do you like and why?

Work-In-Progress: Trillium in Ink and Colored Pencil

Today I wanted to give you a peek of the drawing I have in-progress. Finally! A chance to get back to pencils and paper. :) I absolutely love working with my beads, but very much missed drawing. So, I decided to be patient, get the pencils out and work on this a little bit at a time.

 

What am I working on? A wildflower illustration! I created two ink drawings of white trillium (Trillium grandiflorum) from reference photos taken while on a wonderful weekend art retreat to Pierce Cedar Creek Institute in Hastings, MI last spring. (You can read my posts about the retreat for details.) I wanted to start adding color to one of them. 

I prefer working with colored pencil when adding color, so I brought out my favorite Faber-Castell Polychromos pencils. My paper is also one of my favorites, Fabriano Artistico, 140 lb, hot-press watercolor paper. This takes both the ink and the colored pencil well, so it's a great choice for these types of illustrations. This particular piece is on a 9" x 12" size sheet.
 
I did some test swatches on a separate sheet of paper to compare colors to the reference photo. I also wanted to start with the darkest shadow areas, and decided that a base layer of deep cobalt green (#9201-158) would be best. This is more of a blue-green, and you can see the areas where that is the first layer.

On top of that, I began layering permanent green olive (#9201-167). Again, you can see where I started adding that and how it begins to bring more depth to the shaded areas.

I have a few other greens that I will layer in as I go, including pine green (#9201-267), may green (#9201-170) and earth green (#9201-172).

Here is the drawing with the reference photo so that you can see what I am working with:

The key for any colored pencil drawing like this is PATIENCE!! I tend to want to get it done in the limited time I have to work on something, but end up rushing it and not taking my time to really layer properly. 

The other important key in colored pencil work is a *sharp pencil point*. This is emphasized over and over in all of the drawing books I have, particularly on botanical illustration. A sharp point allows you to blend layers of color more smoothly and create the details needed without making it flat. This all combines to create a richer drawing with depth and detail.

Do you work with colored pencil? What do you like best about the medium? What is the most frustrating for you?

Wish me patience and sharp points and I will keep you posted on my progress!