Showing posts with label natural science illustration. Show all posts
Showing posts with label natural science illustration. Show all posts

Tuesday, May 1, 2012

Focus on Nature XII: Natural History Illustration Exhibition

The bi-annual Focus on Nature XII Exhibition is now on display! 


This Natural History Illustration exhibit, at the New York State Museum in Albany, NY, is "a juried exhibition of natural and cultural history illustration that features artwork from around the world. Artists depict biological, geological, and archeological subjects using a wide range of media, from traditional watercolor to recently developed digital techniques. The basis for selection of these works is scientific accuracy, technical skill, aesthetic qualities, and originality. 

The twelfth biennial exhibition highlights illustration as a means of communicating scientific and artistic observation. Focus on Nature XII includes the work of 72 artists from 14 countries."

What is fantastic is that you can view all of the artwork in the exhibit online. Visit the link above to view a PDF version of the catalog that includes the artwork and a description from the individual artist "regarding the significance, science and artistry behind their work."

I love seeing the amazing work that appears in this exhibit. A true inspiration and such a great visual experience of the natural world. One of my goals is to have a piece accepted into this exhibit someday. Much drawing to be done yet! :)

The in-person exhibit runs Saturday, April 28, 2012 - Monday, December 31, 2012.

Friday, May 27, 2011

The Fish Bridge to Japan Project - Gyotaku printmaking

What do you know about natural science printmaking? Not much? Me either, until just recently!


Through the Guild of Natural Science illustrators (GNSI) I learned about a project that one of the GNSI members, Stephen Di Cerbo, is working to get funded through Kickstarter called The Fish Bridge to Japan. Stephen has been developing his technique in Gyotaku printmaking for over 20 years and is hoping to travel to Japan to study under the tutelage of master Gyotaku printmaker Mineo Yamamoto.

As described on Stephen's blog, Icthyography, Gyotaku is "a relatively new art form [that] came to America in the 1950s and its history can be traced back a couple hundred years. Used to identify species of fish and record size of catches, gyotaku is often seen as a parallel to Taxidermy. It has evolved into an art form and unique type of illustration, and techniques and methodology continue to be refined today. A form of relief printmaking, it allows for an intimate familiarity with the morphology of the fish.

Not only are Gyotaku images popular in gallery art and editorial illustration, the process is a great tool for art and science educators to expose students to ichthyologic identification and morphology, as well as relief printing."

How cool does that sound?

I have been a member of GNSI since 1998 and am continually in awe of the very talented artists and illustrators who are a part of this group. I am going to contribute to the fund and hope to encourage others to do so if you are so inspired! 

Pledges start at just $1.00 and Stephen is offering pledge rewards to those who back his project including note cards, limited edition prints and more - check out the project details at The Fish Bridge to Japan. He only has until May 31st at 12pm EDT to reach his pledge goal.

Even if you don't want to pledge, click on over and take a look to learn more about this fascinating art form!

Sunday, May 1, 2011

Pierce Cedar Creek Institute Art Retreat - Part 1

Relaxation, creativity and new friends! What a great combination. I just returned from a fantastic weekend art retreat at Pierce Cedar Creek Institute (PCCI) in Hastings, MI (near Battle Creek.) It is a 661 acre public environmental education center whose mission is to promote environmental education, research, preservation, and appreciation.

 View of the back of the Visitor Center, heading over from the Education Building


I met up with nine other natural science artists and illustrators to spend some time recharging our creative batteries. It was a friendly and good-humored group, and I very much enjoyed spending time with like-minded artists in such a relaxing setting. 

There are seven miles of trails to explore at PCCI, many of which are easy to walk and perfect for frequent sketching and painting stops. Everything from fungus covered logs and spring wildflowers to deer, birds, and wetland critters were visible and great subjects for sketches. I was able to squeeze in a few drawings while walking around and will post some this week. I also took a lot of photographs and have a nice stash of reference photos for future project use.

 Part of the Blue Trail

 Part of the Green Trail heading that circles the back of the Visitor Center

Spring Beauties that peppered the sides of many trails

Our accommodations were in Hyla House, a remodeled farmhouse with ten single rooms and one double room, four full baths and a kitchen. It was a charming and very comfortable place to stay with a short and pleasant trail walk to the Visitor Center and Education Building. We didn't need the kitchen at the house, though, as we had wonderful meals in the Visitor Center dining room created by the Institute's chef, Richard Centala.

Hyla House

The weather held out for us rather nicely. The sun was shining brightly on Friday with clear, blue skies. Saturday was a bit windy and cool, but not too bad. And today started out warmer and cloudy, but by the time I left at lunch the sun was back out. We were fortunate to avoid any rain, which allowed for lots of exploring and outdoor time for those who chose to do that. The Education Center and it's classrooms allowed folks to enjoy a beautiful view of the grounds while working on projects indoors or taking a break from exploring the trails.

Sketchbook, pencils, wildflower

Sitting on the trail, on a garbage bag which was handy for getting close to those low-growing wildflowers, I worked on drawing a Trout Lily that you can see off to the left of my sketchbook. A close-up is below. What interesting, mottled leaves it has with a graceful, dangling yellow blossom.

Trout Lily

Even though it was a quick couple of days, I feel entirely different and appreciated having such a great opportunity to change the routine and focus on observing nature for a bit. The creative juices are flowing!

Check back for Art Retreat - Part 2 where I'll post more photos as well as sketches that I worked on this weekend.  Have a great week!
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