Sketchbook Exchange Update - Drawings #3 and #4!

So, it has been a busy summer...and a busy start to the school year! I am finally getting around to posting my next two sketchbook exchange entries. I have had the pleasure of drawing in 3 other fabulous artists' books, and I have the next one on my desk, waiting to be filled. 

DRAWING #3 - August 2014

To catch you up: I decided to do my third sketchbook entry on some of the gorgeous botanicals that I see when we go to Myrtle Beach, SC: the crepe myrtle tree and the magnolia tree.

I was very pleased to have been able to cover both of these in the spread, and I kept with my favorite media, ink or ink and colored pencil. 

On the upper left, you can see a close-up of the crepe myrtle (Lagerstroemia.) This is a close-up of the small, round buds that form before opening up into the frilly, tissue-paper-like blossoms. This particular tree had white blossoms, but we saw many with gorgeous, deep pink blossoms as well. Below the blossom is a sketch of the side and top views of the crepe myrtle seed pods. These dried brown pods contain six segments and look like little stars.

On the right side of the spread, I was able to include some drawings of the beautiful Magnolia grandiflorium that are so prevalent in the southern U.S. The upper right shows a cross-section of the immature magnolia seed pod. What a fun find! This has a soft, fluffy white outer covering with a velvety, dark brown stem. The lower right of the page shows the seed pod as it sits among the glossy, dark green leaves. I love the rusty brown underside of the magnolia leaves and tried my best to capture it with colored pencil. 

DRAWING #4 - September 2014

For my next drawing in the sketchbook that arrived in September, I had an easy choice of subject. Upon our return from Myrtle Beach in July, I made a happy discovery in our front flower bed: a pumpkin vine was growing! This was the most inadvertent, yet successful, gardening I have ever done. I had left a large pumpkin to decay in the flower bed last winter (too lazy to get a garbage bag to put it in...) After the hard winter we had, it emerged in the spring, frozen white and starting to decay. The local squirrels had a ball tearing it apart and must have put some seeds in a good spot, since we now have a lovely pumpkin plant there!

I loved seeing the bright, orange/yellow blossoms popping up. They also shrivel beautifully as they shrink, curling into wonderful shapes. Once I saw how the pumpkins begin forming under the shriveling blossom, I decided that would be a great way to show both the fruit (in a stage not typically seen) and blossom. I also included some sketches (in graphite) of the blossoms as they begin to form, with hairy stems and beautiful, structural ribbing. These are on the right-side of the spread.

This particular journal was a bit bigger than the others so I wanted to think of something to include on the opposite page of the spread. I love the large, lobed leaves of the pumpkin plant, especially since that is mostly what you see as it grows. They start out tiny and spread into a wonderful, large green canopy covering the blossoms and fruits. This particular leaf is life-size on the page, but in life would grow to nearly twice this size.

I initially started with a graphite drawing, but decided to switch to pen using a stippling technique that allows for delicate gradations of shading. Stippling is wonderfully meditative, but it does take some time. As I was a bit behind on my timing to finish the book, I left the leaf half-completed which works well since this is a sketchbook, after all, and not a finished piece.

Finally, I added the curling tendril at the top of the page, connecting the spread. These tendrils are found all over underneath the pumpkin leaf canopy, extending from blossoms to stems and wrapping around all of the parts of the plant. 

I am so excited that we are about halfway through the exchange now! I look forward to working on my next entry so stay tuned!

 

Pierce Cedar Creek Institute Retreat 2013! How I spent the morning...

I had an opportunity to return to Pierce Cedar Creek Institute (PCCI) in Hastings, MI yesterday for an artist's retreat. I had a terrific time and met a great group of artists two years ago when we went.

Many of the same folks and a few new ones gathered again this weekend. I was only able to go for the day, but it was a gorgeous day. Temperatures were in the high 60s and the sun was shining. Fabulous after this long, cold winter! I managed to get some good sketching done and also had a surprise workshop from the first PCCI artist-in-residence, Doet Boersma. 

I arrived to PCCI at 9 a.m. and the day simply flew by. We started the day by heading to Doet's studio. She is an amazing artist and so generous to share her knowledge, time and equipment with us. A gracious host, she made sure we had our coffee or tea before we started! Then she proceeded to give us a quick class on etching (technically, drypoint - using an etching press to make prints.) We each chose a drawing or photo - either something from our sketchbook or a photo of our own from online that we printed out. I chose to work with one of my magnolia photos that I took last summer in South Carolina.

From there, we each cut a small piece of plastic binding cover material and chose an etching tool, which could be anything from a screwdriver to a scratchboard point or whatever hard-tipped scratching tool you prefer, as long as you can scratch your design into the plastic. The focus is on scratching the dark areas of the design as the print will be done in reverse, e.g., whatever you scratch the most will retain the most ink and print the darkest.

It turns out that my choice was a little ambitious since there is a good bit of dark background around the magnolia blossom and within the leaves. However, I plugged away and managed to get something decent to work with on the press.

Once our designs were finished being scratched into the plastic, Doet showed us how to choose various ink colors, with darker ones working best, roll them out and coat the plastic or "plate", working ink into the scratched areas with our gloved fingers, if needed. After wiping the excess ink off, we held the plates up to the light to see where we wanted to remove or add a little more ink. Using cotton swabs, I was able to take more ink off of the white flower to bring more light into the design.


Once we finished inking, we took a piece of water-soaked cotton rag paper that we prepared earlier and placed it onto a scrap piece of paper on the etching press. Carefully, I centered my etching ink-side down on the damp paper and put another scrap piece on top. I rolled the blanket layers down and then cranked the press to create a print. You can reuse the plate again and again, applying more ink, different colors, choosing to darken or lighten areas depending on how your print comes out.

My first print included mainly some green ink and turned out alright, but I wanted to tweak it some more.

 

First of 3 "magnolia" prints.

For my second print, I  added some brown ink to the background and darker areas, but clearly did not incorporate it as well!
 

 Second of 3 "magnolia" prints. 

My final print turned out the best, I think. I incorporated some reddish-brown ink and pulled out some highlights in the flower and bud a bit more. The sepia tones really compliment the magnolia as the back of the actual leaves is a rich, red-brown color.

 

  Final of 3 "magnolia" prints. 

It was such a fun process! Once we all did our first print, you could feel the creative energy rising in the room as people started thinking of how they wanted to tweak their prints, bustling about for more paint, wiping their plates to get the right amount of ink and "dirt" in the background. Everyone did at least 3, some 4 or 5. It was a productive few hours! Great to learn more about this traditional craft.

We left the prints to dry while we took a lunch break and spent the afternoon outdoors. Stay tuned for my next post with photos and sketches from the afternoon hike!

Trip to South Carolina!

I recently returned from a wonderful vacation to South Carolina. We spent a week in Myrtle Beach and had the opportunity to explore the area a bit.

Of course, we spent a good bit of time at the beach. I don't know who had more fun collecting seashells, my 5-year-old daughter or me! I was fascinated by the beautiful colors often found on the underside of of the big chunks of clamshells that wash up on the beach. I also found a few interesting shapes and sizes and even a bit of coral.

 

The whole lot.

Some coral in the center and although it isn't obvious in the photo, the shell on the left has beautiful pink and purple tones on it.

Loved the shape of this one in the center. Beautiful spiral.

Lots of interesting textures, patterns, and colors.

I didn't have much time to draw while there, but I did a few quick sketches. I can't wait to do more and in color!

In addition to the beach, we had a chance to visit the gorgeous Brookgreen Gardens. Located just south of Myrtle Beach, Brookgreen Gardens is "a National Historic Landmark with the most significant collection of figurative sculpture in an outdoor setting by American artists in the world and has the only zoo accredited by the Association of Zoos and Aquariums on the coast of the Carolinas." 

We took a Lowcountry boat tour through historic rice fields, saw a wonderful sculpture exhibit on the American West, had a fantastic lunch there, and while my husband, sister and brother took my girls to the zoo, I did a quick walk through some of the gardens near the main visitor center. 

I really enjoyed the magnolia trees everywhere and saw many trees with the fruits developing and flowers just starting to emerge.

One of my very favorite parts of the garden was Live Oak Allee. Here, huge Southern Live Oaks, approximately 250 years old, line the walkway. Spanish moss hangs down off of them and their majestic presence is just amazing.

 

Of course, I took more photos than I have room for here. I can't wait to go back for another visit. One nice thing about the gardens is that if you are down for a visit, your tickets are good for 7 consecutive days, so you can return to see more without additional cost. We only had time for one day, but next time, I'll be sure to plan some return trips!